“…These pieces (it has to be admitted) are hardly major finds, but they still have a modest piquant value for the followers of the composer. Shostakovich was still young when hired to provide incidental music for The Bedbug, a surreal and farcical satire on Communist utopian dreams and bourgeois corruption and vulgarity. The score, newly reconstructed by Mark Fitz-Gerald from rough piano sketches and the 1935 soundtrack, combines symphonic sections with popular songs.”