Fernândez’ work can be divided into three periods, the first (1918-22) is influenced by French Impressionism, the second (1923-38) is marked by the systematic use of folklore, particularly amerindian rhythms and harmonies, rather than ‘popular’ urban melodies. Finally (1939-48) was a period of increasing introspection and the development of a more universally recognised language. [Adrian Farmer]
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“… there are many delightful discoveries… it is a joy to hear Martin Jones again and I am glad to have been introduced to Senhor Fernândez.”
Jeremy Nicholas – Gramophone magazine – February 2024
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