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NI 6431
Emma Johnson: Songs of Celebration
Label Catalogue Number:
NI6431
NI6431
Running Time: 00:58:55
Release Date: September 2022
Originally recorded in 2021
Originally recorded in 2021
Genre:
Classical
Classical
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About
In 2018 I was delighted to accept the challenge of writing a Christmas song for clarinet and higher voices and decided to set one of my favourite medieval poems, I Sing of a Maiden that is Makeless. The poem tells of the miracle of the divine birth and is a paean to the mother of Christ. I became so fascinated with composing for clarinet and upper voices that I found myself writing three more songs, all celebrating the Christmas story. All four songs are grouped under the title, Songs of Celebration and they can be performed separately or as a suite.
Oddly, the lyrics for Precious Gift, came to me whilst waiting in an NHS hospital waiting room. Perhaps influenced by my surroundings, I focus on the pain inherent in baby Jesus’ story! An epilogue from the clarinet expressing grief completes the story and turns the mood around in readiness for the final carol.
There is No Rose of Such Virtue is another early 15th century poem equating Mary with a vigorously growing rose, a popular metaphor of the time. It was very gratifying to see the children in Gloucester cathedral choir singing this carol with gusto, relishing its beat boxing and glissandi which felt at once incongruously modern and yet perfectly apposite in the cathedral surroundings. Emma Johnson
Late in 2009, Emma Johnson approached me with an enticing idea: she would become the Pied Piper, using her clarinet as the pipe. Could I set Browning’s poem to music? A well-known actor might narrate the poem. I suggested that it could be even more exciting if she were to narrate the poem herself.
The piece took on larger dimensions when the commissioner invited us to include massed recorder players. I realised that the youthful players could conjure up the infestation of rats with some penetrating squeaking. In a more melodic vein, the recorders could then create a magical atmosphere when the Piper changes his tune to summon the children of Hamelin. They could echo the infectious music, as more and more children join the dance. Finally, the young performers could abandon their instruments altogether and burst into song. Jonathan Dove
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Reviews
“… The Children’s choir is pristine and resonant … Lenehan plays with expertise, sensitivity, and authority. Johnson boasts genuine skill and creativity in both composing and arranging; and her recitation of The Pied Piper has good flow, nuance, and diction. Dove is a master of his craft; his oratorio uses accessible modernism, recognizable leitmotifs, and text painting to bring alive Browning’s poem…”
Patrick Hanudel – American Record Guide – January/February 2023
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