Recording of the Week
“Faust's technical prowess seemingly knows no bounds, and this is very much in evidence here. The double-stopped harmonics at the end of the first movement are notoriously tricky, but such is her control that she manages to make them sound exquisitely calm. I think the highlight of this performance, though, has to be the final Passacaglia, from sober trombones at the start of the movement to a closing section that enables Faust to display her beautifully sweet tone to full effect.”