From the juvenile Concerto No. 6 (1776) to the quasi-testamentary Concerto No. 25 (1786), Mozart's style evolved greatly. In ten years, the young prodigy has given way to a master fully aware of opening new horizons to the genre. With this fourth album, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a body of work visited so many times before them; but with them, we have the feeling of rediscovering each note as if it were “the first time”.
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Reviews
“… For those who admire period instruments. Bezuidenhout and the Freiburger Barackorchester are well worth hearing.”
Michael Ullman – Fanfare – May/June 2024
“…a delight from start to finish.”
David Threasher – Gramophone magazine – December 2023
Performance **** Recording ***
“… brightly and engagingly played.”
Michael Church – BBC Music magazine – January 2024
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