“…On paper, one might despair that this is yet another in the long line of historically informed Four Seasons … Yet such is the beguiling sincerity of Schayegh’s playing and the ravishing sound she produces – you can almost sense her holding musical hands with the likes of Christian Ferras or Augustin Dumay on occasion – and the no-holds-barred sensitivity and commitment of the nine-piece Musica Fiorita under harpsichordist and director Daniela Dolci, that any potential reservations virtually dissolve into inconsequence. A ‘safe’ library version this may not be – the couplings are less overtly colourful – yet I found it an at-times gripping and enchanting experience.”