Howells: Music for Strings Orchestral & Concertos Chandos(Classics)

Howells: Music for Strings

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CHAN 10780

Howells: Music for Strings

Running Time: 67:04

Release Date: July 2013
Originally recorded in October 1992

Composer
Herbert Howells

Orchestra
City of London Sinfonia

Conductor
Richard Hickox

Venue
St Jude's Church, Central Square, London NW11

Producer
Ralph Couzens

Engineer
Richard Lee

Engineer (Assistant)
Richard Smoker

Genre:
Orchestral & Concertos

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HERBERT HOWELLS

Concerto (1938)

31:35

for String Orchestra

Andrew Watkinson violin

Edward Roberts violin

Stephen Tees viola

Shuna Wilson cello

Allegro, assai vivace

10:26

Quasi lento: teneramente

11:02

III

Allegro vivo: ritmico e giocoso

10:01

Elegy, Op. 15 (1917)

10:38

for Solo Viola, String Quartet, and String Orchestra

Andrew Watkinson violin

Edward Roberts violin

Matthew Souter viola

Shuna Wilson cello

Quasi Lento, teneramente

Suite (1942)

20:40

for String Orchestra

Alison Kelly violin

Edward Roberts violin

Stephen Tees viola

Shuna Wilson cello

Allegro deciso

6:25

Siciliano elegiaco. Con moto, ma tenerezza

6:12

III

Alla Menuetto. Allegro moderato

3:55

Rondo. Allegro assai: brioso

4:02

Serenade (1917)

4:23

from Suite, Op. 16 for String Orchestra

Alison Kelly violin

Edward Roberts violin

Erika Klemperer violin

Michael de Saulles violin

Allegretto scherzando

67:45

Orchestra: City of London Sinfonia

Conductor: Richard Hickox

19 and 20 October 1992

About

In this re-release Richard Hickox conducts works for strings by Herbert Howells. Performed by the orchestra he founded in 1971, City of London Sinfonia, the music represents just a small part of the often neglected British repertoire to which Hickox showed such extraordinary dedication.

Born and bred into the English Cathedral Tradition, Herbert Howells has perhaps become best known for his choral music. The works here, however, demonstrate Howells’s profound love of the string sound. In a BBC talk on music for strings (22 May 1943) Howells said that ‘Strings were born to sing – rightly, passionately, simply or liltingly’. In the sonority of strings – here recorded with ‘plenty of body and presence’ (Gramophone) – he found the closest instrumental approximation to the sound of voices in which he had been steeped from childhood.

Beginning the album is the Concerto for String Orchestra, the most substantial of the four works. It is highly personal, having been sketched shortly after the death of both Sir Edward Elgar and his own only son, Michael Kendrick Howells. The central slow movement, in which Hickox ‘finds an extra pain and subsequent meditative rapture’ (Hi-Fi News), is the elegiac emotional heart of the work and bears the note, ‘In memoriam, E.E. (1934) and M.K.H. (1935)’. Also notable in this work, and throughout the album, is Howells’s deep engagement with the English tradition of string music from Byrd and the Elizabethans to Vaughan Williams and his contemporaries.

The remaining works on this release complete a varied portrait of Howells’s writing for strings. The Elegy for solo viola, string quartet, and string orchestra is modelled in lay-out on Vaughan Williams’s Fantasia on a Theme by Thomas Tallis and is another piece ‘in memoriam’, this time of a friend of Howells’s, killed in the war. The final two works are somewhat lighter in tone. The four-movement Suite for String Orchestra was written with the direct and vigorous tune and rhythm of Holst’s St Paul’s Suite in mind. The Serenade for Strings is a short, delightful scherzo-like movement that demonstrates the brilliance of Howells’ string technique.

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