Taken under the wing of Rameau and later a supporter of Gluck, Gossec excelled in the lighter forms of opera. After 1789 he metamorphosed effortlessly into the composer of choice in post-Revolutionary Paris. His gift for simplicity in harmony and melody, and the full and impressive use if wind instruments was ideally suited to providing improving entertainment for the zealots of the new order, Le Triomphe de la République, first staged in 1793, was written as an enthusiastic response to the victory of revolutionary forces against the Duke of Brunswick at the Battle of Valmy. This is the revolution on stage: the leaders of the people and the forces of virtue unite in music of infectious simplicity. The Gluckian manner adopted in the overture is soon abandoned for brasher colouring and march rhythms that show how this style in French music lay in the background to Beethoven’s martial manner. Diego Fasolis and his performers deliver this extraordinary score with no hint of embarrassment at its pervasive simplicity in a brightly-hued recording. Choral vocal lines are mostly firm, Gossec’s richly upholstered orchestral lines are handsomely shaped and the soloists song with bright-eyed conviction. Very much a period piece, but one worth dipping into. Jan Smaczny, BBC Music Magazine **** Performance **** Sound
Gossec: Le Triomphe de la République
This is the only available recording of Gossec’s Opera, written to celebrate the Victory directly after the battle at Valmy against the anti-French troops. It is performed here by a distinguished cast conducted by Diego Fasolis.