Despite a certain inner distance to the Communist regime, Rudolf Wagner-Régeny was considered one of the most distinguished artistic personalities in East Germany. Karl Böhm and Herbert von Karajan were only two of the distinguished conductors to champion his music. Although he himself was not regarded as a stylistic pioneer, the way Wagner-Régeny took up and blended old and new elements formed a highly individual musical diction that might well be defined as a personal style. Genesis (1955/56) is a blend of oratorio and cantata. It was written prior to East Germany’s ambivalent attitude towards the church. The latter represented the strongest opposition to the regime and was discriminated mainly during Walter Ulbricht’s tenure as the chairman of the Central Committee.
“… Overall, an audible affair of the heart from all those involved.”
Dr Jürgen Scharwächter – klassik.com – 21 September 2021
"... The sound is resplendent ... Don't miss Genesis!"
Stephen Estep – American Record Guide – March/April 2021
“… this is a well-produced issue, with fine performances and recordings and a booklet which is interesting and descriptive of the music and the composer’s life.”
Jim Westhead – MusicWeb-International.com – 19 November 2020
“… Steffen Schleiermacher’s interpretations are noble and brilliant at the same time.” ****
Norbert Tischer - Pizzicato.lu - 31 October 2020
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