Reflet
Show recording detailsALPHA1019
Originally recorded in January 2023
Classical
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About
" Clair Obscur (Alpha 727), dedicated to German lieder with orchestra, explored the antagonism between light and shadow. Reflet conjures up the nuances and transparencies of French melodies. There is in reflection the idea of an echo, the shadow of a disquieting double, of a plural, diffracted sparkle... A clash of deceptive mirages, a kaleidoscope of senses and flashes of light, it interweaves in strange parallels the score of our lives, adorned with gold and illusions", writes Sandrine Piau. Berlioz, Gauthier, Britten, Hugo, Verlaine, Baudelaire, Duparc, Koechlin, Ravel, Mallarmé... the encounters between these composers and poets "create in me a firework display of colours and shimmers", concludes the French soprano, who is making her 14th recording for Alpha Classics.
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Reviews
Crescendo Joker
Sound 9 Booklet 10 Repertoire 10 Interpretation 10
“… this is a very enjoyable programme, well considered and well put together and, for the most part, Piau’s singing is quite lovely … if you’re looking for a mixed programme of nineteenth and early twentieth century French orchestral song, then this disc will provide a lot of enjoyment.”
Performance ***** Sonics *****
“…Piau lives each song as if composed for her. This is a marvellous recital.”
***** Coup de cœur
Performance ***** Recording *****
"... Warmly supported by the Orchestre Victor Hugo under Jean-François Verdier and captured in glowing sound, Piau has created another sublime album."
“…Her voice shines warm and pure, always animated, and one admires her impeccable phrasing and her sensitivity in suggestive interpretations that touch the listener. In the Besançon-based Orchestre Victor Hugo under Jean-Francois Verdier, she has a refined and reliable accompanist. Verdier envelops Piau’s noble voice in a colorful, shimmering sound.” ****
“… every one of Piau’s performances is a gem: every phrase is elegantly turned and inimitably coloured, every word is savoured and crystal clear.” ****
“…the fusion between the music and the shifting colours of her voice is deliciously complete. Nothing could be more beguiling than the opening track, Le Spectre de la rose from Berlioz’s Les Nuits d’été, where the sad caress of Piau’s phrasings come admirably blended with the muted sounds of the Orchestre Victor Hugo, conducted by Jean-François Verdier…” *****
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