“…The commitment of the soloists of the Orchestre de la Monnaie, precisely directed by Ben Glassberg, deserves special praise. The instruments are used purely or nostalgically, sometimes robustly and exuberantly, contributing provocatively to this picture of broken innocence and the distortion that accompanies it. Compared to the 1955 recording with Britten, Pears and English Opera, this recording seems fresh rather than polished, and thus edgier at points and thus more spontaneous.” *****