Editor’s Choice – Instrumental Section
“… Dunford is known for his sensitive, imaginative continuo work in ensembles … So, one might expect his solo playing to exhibit a certain expansiveness, theatricality even, or at least a liberal use of harmonic, melodic and rhythmic ornamentation. But no. What we get with Dunford’s Bach is instead a certain purity, a relatively unadorned line which assimilates articulation in favour of flow and clarity. The expression - of form or emotion – is all in the phrasing, which relies on the art of silence as much as a subtle rubato. It’s quite beautiful and refreshing, as though excrescences have been shorn away to reveal the classical architecture underneath…”