'…finely played and beautifully recorded.’'
Gramophone

'…one’s jaw drops at Peter Hill’s prodigies of agile dexterity… one of the great moments in all Messiaen, the rapt evocation of a still sunlit afternoon…This is also one of Peter Hill’s great moments as a Messiaen interpreter, finely recorded as ever, and with the beautiful moonlit coda it sets an impressive seal on a most distinguished recording project'
Gramophone

'…Peter Hill has conveyed the range and contrast of this cycle, its astonishing palette of keyboard texture and colour, with remarkable success'
Gramophone

'The Fires of London conducted by the composer accompany the two soloists with superb ease and brio. Bravo!'
Diapason

'as distinguished as its predecessors. As ever in this series Hill is supported by a recording of satisfyingly huge range'
Gramophone

'What Hill does is allow the listener to come to the music, rather than bring the music to the listener'
Gramophone

'Peter Hill’s virtuosity has needed no proving since his first Messiaen collection appeared but his command of colours is even more impressive'
Gramophone

'this is turning out to be a most distinguished and important series'
Gramophone

'One of the outstanding recording projects in this country in recent years has been the cycle of the piano music of Olivier Messiaen played by Peter Hill'
Anthony Burton BBC 3 Record Review